What Is Sound Therapy?
October 15, 2022
Our Music
Meet our talented artists and understand our creative approaches used to collaborate with them
Our Composition Process
We carefully select the musicians we work with, based on their exquisite and unique artistic qualities as well as their authentic connection with and recognition for the profound responsibilities we collaborate on. Our composition process is rooted in the one humble intention of serving and caring for those individuals who embarked on their vulnerable journey of growth, in need for guidance, connection and compassion along the way. Our technology weaves individual musical contributions together in real-time, adapted to person, experience and medicine, to result in unique compositions that are an expression of each individual and moment in time.
We are grateful working with our musicians. Please explore their profiles below to learn more about each unique individual behind Wavepaths´music.
Helping People Connect to Their Emotions
Working on the Wavepaths material has informed my work. I think that it has affirmed a specific style of vocal composition that I have been cultivating for many years now. Specifically in relation to using the voice therapeutically, and creating music from a very present and intentional place. I would also say that my style of vocal work adds a human quality of warmth to Wavepaths, and hopefully helps people connect to their emotions during a listening session.
Anilah
Matt Kidd
Houston, USA
Superposition
Los Angeles, USA
Tomasz Bednarczyk
Wrocław, Poland
Zeno van den Broek
Utrecht, Netherlands
Ebe Oke
London, UK
Filippo De Laura
New York, USA
Kaitlyn Aurelia Smith
Los Angeles, USA
Spencer Doran
Portland, USA
Kara-Lis Coverdale
Montreal, Canada
Julia Gjertsen
Oslo, Norway
Richard Pike
Ramsgate, UK
Kevin Keller
New York, USA
Expressive + Creative Freedom
Working for Wavepaths offers a nice balance between creative liberty and the focus of a specific goal. Within Wavepaths I feel I can utilise the side of myself that is expressive and creative, while not taking the kind of unhealthy possession of the outcome that can come with live performance or releasing on traditional formats. This is a kind of freedom, too.
Greg Haines
